Eastfield College Provides Totally Free Job Training, Seminars To HelpTo Assist Tornado Victims

The twisters that hit North Texas last month have stimulated regional community colleges to provide a new kind of education and task training.

Eastfield College in Dallas will offer complimentary seminars to helpto assist property owners and others recuperate from the tornadoes that ravaged parts of Garland, Rowlett, Glenn Heights and somewhere else, college leaders said Friday. The college has a site with all the details.

How Do You Know If Training Is EfficientWorks?

Even more, by the time they return to the office, individuals often lose as much as 90 percent of exactly what they discovered in training. And how much understanding transfer happened in the first place? Without useful follow-up and meaningful assessment, many brand-new abilities are lost within a year.

Documentary Commemorates Land Art Motion, And Those Who Left Their Mark In …

Its stated that New Yorkers hardly ever, if ever, go to the Statue of Liberty– as if distance to a beloved landmark makes the locals forget exactly what a huge deal it is.

Utahns have a comparable relationship with a significant landmark, a human-made piece of art history that Gretchen Dietrich, executive director of the Utah Museum of Fine Arts, calls one of the most essential artwork made in the 20th century worldwide. Leading 10, no concern.

That production is Spiral Jetty, the huge rock formation developed at the northern edge of Great Salt Lake in 1970 by artist Robert Smithson.

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Oregon Standoff Surfaces Amidst Stars And Parties Of TELEVISION Winter Season Press Trip 2016

PASADENA, California– Its not unprecedented for real-world events to intrude on the show-business focus of the semiannual Television Critics Association press tours. In 2014, for example, the terrorist killings in France at the workplaces of the satirical publication, Charlie Hebdo, coincided with the two weeks-plus trip.

This winter season, thenews of armed militants occupying the Malheur National Wild animals Refuge in Oregon has emerged at unexpected moments in the first couple days of the two-week trip, adding a note of gravity to days filled with attractive celebs and cocktail-party receptions.

On Thursday, Samantha Bee, late of The Daily Show, was here at the Langham Huntington hotel in Pasadena to talk about her approaching PBS comedy program, Complete Frontal with Samantha Bee.

Bee and her showrunner, Jo Miller, just had clips to show TELEVISION critics and reporters in attendance. But theyve been hectic.

After Bee said she wasnt going to be doing a lady-behind-a-desk sort of program on the weekly Complete Frontal, she included, We have a lot of stories in the works.

Miller included, Today, we do not have a show. So we are just doing things in our social media feeds. We just did a thing on the Oregon liberty fighters who have actually taken over a bird sanctuary …

Bee interjected, they did something from the viewpoint of the animals.

Miller elaborated: From the viewpoint of the animals at the sanctuary …
who have actually very considered opinions about freedom and public responsibility.

On a a lot more severe note, the Oregon standoff came up during a press conference for the brand-new Examination Discovery series, Hate in America. The documentary series includes host Tony Harris, who works for Al Jazeera America, exploring cases from the files of theSouthern Poverty Law Center, which tracks hate groups and extremist habits in America.

Harris was joined at the press conference by Morris Dees, co-founder of the Southern Poverty Law Center, and Heidi Beirich, director of the centers Intelligence Task, which follows the activities of anti-government and hate groups.

Toward completion of their session, Harris asked Beirich about activities in Northwest Montana.

Its an area of radicalization, Beirich said. A lot of antigovernment groups, many extremists have moved there. Everyones been viewing exactly what occurred in Burns, Oregon, this week. Thats reflective of exactly what were seeing in the Northwest. Its the same thing.

In an interview after journalism conference, Beirich and Dees once more said the occasions in Oregon are reflective of the development of anti-government, self-styled militias in the US

Hate in America premieres on Investigation Discovery on Feb. 23.

And on Friday, the Oregon standoff showed up again, throughout a press conference for Outsiders, an approaching drama on WGN America. The series, whose stars consist of David Morse, has to do with a family determined to stop any individual or any force, that conflicts with their off-the-grid life on a mountain in rural Kentucky.

When asked whether Outsiders has parallels to whats happening in Oregon, series creator Peter Mattei drew a distinction. The family in Outsiders wantwish to stay on their land, Mattei said, not take anyone elses, and they don’t have a significant beef with the federal government.

Executive producer Peter Tolan (Rescue Me) also rejected recommendations that the do-anything-to-keep-their-land household in Outsiders might motivate others to take actions comparable to those of the militants gathered in Oregon at the wildlife sanctuary. He also noted the fictional household in Outsiders aren’t heavily armed.

After the press conference, Tolan said he was shocked at the concerns raising possible resemblances in between the imaginary story of Outsiders and the real-life drama playing out in Oregon. The Outsiders story is originating from a various place, stated Tolan.

Outsiders premieres Jan. 26, on WGN America.

Stay tuned for more files from the TELEVISION Winter 2016 Press Trip.

— Kristi Turnquist

kturnquist@oregonian.com!.?.! 503-221-8227 @Kristiturnquist

How A High School Teacher’s Roadway TripTrip Changed The Course Of Art

The term outsider art was officially coined in 1972 by Roger Cardinal in his book of the very same name. I believe, Cardinal composed, that a critical element in the crucial definition of the creative Outsider is that he or she must be possessed of a meaningful impulse and must then externalize that impulse in an unmonitored method which defies standard art-historical contextualization.

Years before the category had a title, however, a high school teacher in Evanston, Illinois, found himself, together with his then better half, on a somewhat everlasting road triptrip collecting art work for his Wisconsin farmhouse. He didnt know precisely what he was searching for, however he certainly had a type. Uncommon, compulsive, raw, impassioned– the example youd be more likelymost likely to discover at a thrift shop or a deserted home than a museum or gallery.

Today, almost 50 years later, Carl Hammer is the owner of among the most precious outsider art galleries in the country, and probably the world. Yet when he began his mission for odd art works, not knowing the level to which it would shape his life, Hammer preferred the term grassroots art to outsider.

I taught at a school that was really varied, and it was type of a slogan at the time– grassroots this, grassroots that, Hammer discussed in an interview with The Huffington Post. We had actually just lost Martin Luther King Jr., we had lost our president, anti-Vietnam demonstrations were everywhere. Individuals were getting back to exactly what was valued by the hippies at the time, this desiringwishing to leave of society. It was time to get back to actual feelings about things. It had to do with discovery, acknowledging a natural goodness about life and everyone, inclusively.

Hammer extended this exact same sentiment to art, privileging items made from raw human emotion over those made in response to particular principles, trends or historical movements. NumerousA number of the artists Hammer had an interest in were not even uncomfortable adequate to refer to themselves as artists. They were merely people who, in his words, had so much creativity they didnt know exactly what to do with it. They developed fiendishly, for no other purposes than self-expression and self-discovery, their quickly multiplying brainchildren overflowing at an unstoppable pace.

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Educators Trade Winter Break For Training In Bringing The Arts To Class


Educators at arts integration workshop this week sounded quite odd as they participated in dialogue utilizing only different mixes of blah and blah.

However it wasnt an expression of disgust at the workshop. They were taking parttaking part in a mumbo jumbo exercise where tone, modulation and expression conveyed the message.

Matthew Kennedy, a theatre adviser for the L.a Unified School District, discussed that exercises like this can help students master discussion skills.

If you provide them mumbo jumbo … they can practice their volume and expression, without being anxious about the content, he told the group.

That was simply one of the principles lots of LAUSD teachers learned during the last days of winter season break at a four-day workshop on arts combination. Groups invested every day discovering methods of four disciplines– visual art, theatre, dance and music.

LAUSD music advisor Chris Rodriguez leads teachers through a performing lesson during an arts integration workshop over winter season break. Priska Neely

The LAUSD school board voted unanimously in 2012 to make arts education a core topic, and schools have struggled considering that to determine exactly what that suggests for curricula. For 4 years now, the district has provided workshops like these to offer teachers concrete concepts for class activities. The fitness instructors do highlight that arts combination is not a replacementa replacement for defined instruction in these topics.

The district has actually stepped up arts education funding in the last couple of years and much of the moneythe cash has actually gone to support arts integration trainers who lead workshops like these. Teachers learn how they can use each discipline to support Typical Core standards.

In visual arts class, teachers made mobiles out of foam sheets, wire and coat hangers. They discussed how they could make use of these in lessons about the planetary system or water cycle.

MostThe majority of the instructors who get involvedtake part in workshops like these are basic grade or subject teachers who don’t generally deal with the arts. Sixth-grade teacher Robert Reyes of Gardner Street Elementary said hed typically feel insecure about making use of music and dance in his classroom, however to see how easy it is to infuse that into your everyday lessons, it type of takes the pressure off of exactly what I thought it might be.

Sally Weinberger teaches at Lowman Unique Education Center. She says the training was a productive way to spend the last days of break.

Ive gone to so many [professional advancement trainings] and theyre, like, so dull and I get nothing out of it, and this one I was in fact like, Wow this is exciting! Weinberger stated.

And if I’m having fun then I wantwish to bring that enjoyable back to my students.

Iowa City Press Co-op Offers Printmaking Classes, Studio Area

Jeanne Smith of Iowa City deals with block printing ink at the Wesley Center in Iowa City on Sunday, Jan. 3, 2016. The Iowa City Press Co-op supplies space, devices, and even workshops for anyone interested in printmaking. They have devices for standard methods of intaglio, relief, screen printing, and letterpress and are open to the general public to utilize throughout certain hours. (Andy Abeyta/The Gazette)

Art Museum Celebrates National Parks Centennial

This year the National Park Service will commemorate its 100 anniversary.In recognition of that centennial, the St. George Art Museum will provide nine shows through the year focusing on national parks and monuments.These exhibits, collectively titled” National Parks: Uniting America: 100 Years on Typical Ground, “bring personal definition for Deborah Reeder, supervisor and curator for the museum.”One of my earliest memories is being in Yellowstone when I was 4 years of ages,” she states

.”It’s still rather brilliant.”Because that childhood experience, Reeder has actually returned to Yellowstone National Park a couple of dozen times. She also counts regional nationwide parks like Zion and the Grand Canyon amongst her favorites.The idea of focusing an entire year’s worth of exhibits on the national parks first pertained to her a few years ago, inspired by a show featuring Zion National forest that ran from the end of 2008 to the start of 2009. It was in celebration of Zion’s centennial, having initially been secured as Mukuntuweap National Monument in 1909. The Zion exhibit was a juried program where artists were asked to submit pieces for inclusion. Like that show, 3 of this year’s exhibitions will be juried in a comparable manner. Those shows will fill the main gallery space on the lower floor of the museum throughout the year.The first program, titled “Pictured: Near Home, Our Own Spectacular National Parks, will concentrate on regional nationalnational forests within our area. The 2nd show, opening on June 11, will feature national parks

throughout the west. The final show, opening Aug. 27, will include all the national parks and monuments throughout the country.Unlike the Zion show, which only included paintings, the 3 juried shows will be open to all media, consisting of photography and three-dimensional art.

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